Seeking Sponsors for a Series of Large Paintings

I’m looking for sponsors to help fund this project!

A couple years ago, I began creating this series of large, 4-foot-wide landscape paintings. My goal with this project is to paint many locations from around the world on large canvases. I want to paint scenes that make the viewer feel small, as though they are in the painting when they look at it in person. So far, I have completed a cove in Hawaii and a landscape from Canyonlands National Park, Utah.

My current work-in-progress for the series is a forest in Juneau, Alaska. I’m estimating that it will take me at least another month of work to finish.

All of the paintings in this series are 4 feet wide and 3 feet high, so they’re quite large and very detailed. Unfortunately, I have very little time to work on a project this large due to the amount of time I spend on commissions and smaller auction pieces. Because the paintings in this series are so detailed, large, and time-consuming, this project needs funding in order for me to be able to complete it. (I was able to focus on it before when I was a stay-at-home mom, but now I work full-time).

So, I’m looking for people who may be interested in sponsoring this series. Sponsors would enable me to afford the time I need to spend on a project of this scale. All funds donated can be used as auction credit. In other words, when these paintings sell at auction, sponsors can apply their total donations as credit for bidding on any piece from this series.

If you’re interested in becoming a sponsor, please let me know! I am absolutely DYING to get back to work on this series and I have several more of these giant landscapes planned. I can be reached directly via email, Facebook, or Instagram:

Email: paintingsbymargaret@gmail.com

Facebook: www.facebook.com/margaret.dean.artist

Instagram: www.instagram.com/the_ambidextrous_artist  – or –  www.instagram.com/margaret_irene_fine_art

“Etude in the Key of Freedom” – A Painting by Margaret Irene

After painting my Mood Flower series, I felt like it was time to move on from painting depression. With this piece, I want to express the bliss I have experienced from finally just being myself after many years of insecurity and self-consciousness.

The dancer wears a minimalistic dress as she dances in an ice-cold landscape, representing how it feels to pursue our dreams in spite of the immense challenges we often face along the way. The snowy wonderland symbolizes adversity, and the blissful expression on her face represents the peace that comes with being true to ourselves. The path she takes is made of piano keys to represent the concept of creating our own path in life, or “dancing to your own tune”.

This artwork is the first in a series of dancer paintings.

How Depression Has Influenced My Art

A Background of Sin

I had my first bouts of real depression at the tender age of 8 years old. Depression runs in my family so the circumstances of my early childhood combined with genetics created a perfect storm for depression to rear its ugly head at a very young age.

I didn’t have the most typical sort of childhood for an American kid. When I was 8 my parents moved our family to Chile so my dad could work as a Fundamentalist Independent Baptist missionary. His goal was to open Baptist churches there and convert people. We lived there for 6 years doing just that!

Some of my earliest memories consist of being told that I was born a filthy sinner and that I was going to hell. The only way to be saved from hell was to beg for forgiveness and stop sinning. Just imagine how damaging that can be for a little kid, to be told that they are bad simply for being human. I internalized this condemnation and grew up convinced that I was inherently flawed, that I was broken and in need of “fixing”.

By the age of 6, I had developed a deep anxiety and fear of falling asleep at night because I was terrified that Judgment Day was going to come in the middle of the night while I was unprepared and unforgiven. I was used to hearing preachers at church literally yelling at the audience that Judgment Day was coming and if we weren’t prepared then off to hell we would go! It didn’t matter how many hours I spent praying frantically in my bed, begging for forgiveness, because I just couldn’t stop being a “dirty sinner”. All those long hours of late night anxiety eventually developed into insomnia, a sleep disorder that still plagues me to this day. Even now, years after I have left behind that religious indoctrination, I still have nightmares of global disasters: tornadoes, hurricanes, tsunamis, and earthquakes ripping the ground open to suck people down to hell.

When my family moved to Chile I suddenly found myself plunged into a foreign culture where I had to learn a new language to communicate with everyone around me. Due to my strict religious upbringing I already had low self-esteem, so when I had to deal with being the “different” kid in school I found it very difficult to fit in. Kids in school made fun of me for my accent and my acne. They judged me for my sad, angry face. Everyone told me to smile more. I didn’t know how else to look. It’s hard to be upbeat and jolly when you’ve been told all your life that you’re a sinner, spanked often, and told that normal human behavior was wrong.

As I went through puberty I developed a deep hatred for my body. What should be considered normal human teenage urges were, to me, a sign that my body was the physical manifestation of my sinful nature and that I was losing the battle against sin. I had crushes on boys at school and was shamefully astonished by the fantasies of which I was capable. When I developed a crush on a girl at the age of 13 I was especially horrified! Why couldn’t I stop being such a disgusting sinner? I became convinced that I was ugly and that my face was grotesquely crooked. I developed Body Dysmorphia and an eating disorder as a coping mechanism.

(Below: A work in progress. This painting depicts my lifelong struggles with the damaging beliefs that were pounded into my head from birth.)

IMG-2358

How Art and Nature Saved Me

Through all my years as a troubled child, I had my art to soothe me. My art was the one thing that I loved about myself. It was the one natural ability I had that wasn’t a “sin”, that even the strictest religious leaders in my life admired. It was the one thing that I could do that was praised by those people in my life who otherwise told me I was a filthy sinner destined for hell if I couldn’t get my act together. (I couldn’t even play my classical guitar without one particular religious leader telling me that it was satanic because “classical music isn’t Christian”.) Art was my virtue.

From the very beginning, I’ve had an intense interest in Nature. That fascination has always been expressed through my artwork. I started by drawing pictures of animals and trees. As a kid, I obsessively watched nature documentaries with my sketchbook on my lap, drawing the animals and plants I saw on TV. I just couldn’t get enough of all the information there is about wildlife, humanity, the Earth, and the Universe.

I have a childhood memory of a time I was lying on the ground in my backyard, looking up to the sky peeking through the leaves and branches of the trees above me. I breathed in that fresh, spring air as I listened to the trees whispering in the same gentle breeze that softly touched my skin. Everything felt right in that moment. I was part of nature and I could feel it with all my senses.

Over the years, as I continued to educate myself on the laws of nature, I began to grow away from the destructive beliefs that had damaged my self-esteem. I watched nature documentaries and scoured the internet for information on human culture and evolution. I became obsessed with space, science, and anthropology and I just could not stop drawing it all.

(Below: A painting in progress. This painting depicts my fascination with Nature and space.)

IMG-2284

Looking back, I now realize that my pursuit of information about Nature was, in fact, a search for REALITY. I was desperate for the truth, of which my cult-like religion had deprived me. I was tired of being told that nature was wrong. Deep down, in spite of all that indoctrination, I knew something wasn’t right, that everything I had been told was a lie.

I now see Nature as the ultimate reality of the Universe. Nature IS reality. It is everything that exists in our universe, independent of human opinion and interpretation. Humanity could go extinct tomorrow and Nature would continue on without us. We are an infinitely tiny fraction of Nature. We don’t even yet understand everything there is to know about the universe. So who are we, as tiny humans, to decide that we are more important than the rest of Nature? Who are we to judge each other for being human?

Nature doesn’t care what we believe. In the end, we all succumb to the natural process of death and the world continues on without us. To me, that is beautiful! How amazing that we get to participate in nature, even if it’s only for the brief amount of time we have to live!

(Below: A painting in progress. These 2 wolves, posed in front of a decaying urban backdrop, represent my view of the human relationship with Nature and how human civilization is a mere moment in the vast expanse of time, a tiny fraction of the Universe.)

23843559_1016751918462707_8670717508059408856_n

A Continuing Struggle With Depression

Even today, many years after I left behind my strict, religious past, I still struggle with depression. I’ve tried many things over the years to deal with it, including medication and therapy. Depression, for me, feels like a complete loss of motivation combined with self-loathing and cruel thoughts directed at myself. As I’ve gotten older, I’ve found that dissecting and analyzing my childhood experiences has been the most healing part of my journey. I may have a genetic predisposition to depression, but learning to love myself and accept my human nature has made it infinitely easier to deal with.

I still have sudden bouts of depression, at least the physical side of it, from time to time but they are significantly less detrimental now. I now use my art as a way to express my views of the world. I paint moody landscapes to express how my moods and emotions color my view of reality.

(Below: “Melancholy”. A painting that expresses what depression feels like. I wrote a blog post about it here.)

25443013_1033825470088685_1838236422881102691_n

Disclaimer:

To be clear, I don’t blame my parents at all for anything I went through. I see them as victims of a pervasive, cult mentality that sucked them in and brainwashed them when they were just barely entering adulthood themselves. Fortunately, now, they have also left that past behind and our family has grown very close through our shared experiences.

I do not judge people who believe in religion. I recognize that everyone sees religion differently and that my own experiences don’t represent those of everyone who has been raised in a church. This is simply my story and I feel it’s important to share it.

A Painting of Canyonlands National Park, Utah

On February 11th, 2018 I completed the first painting in my newest series! This acrylic painting on canvas was based on a reference photo provided by my friend Melissa Horton. It is 4 feet wide and 3 feet tall and depicts the Shafer Canyon Overlook in Canyonlands National Park, Utah.

This brand new series will consist of 12 large landscapes no smaller than 48″x36″. Each one will be a landscape based on a real location. Before beginning this project, I asked for people to submit their photographs of beautiful, natural scenery from around the world. I received a high number of great submissions to choose from.

For the first painting in this series, I chose a photo of Canyonlands National Park. I felt driven to paint something challenging, something I hadn’t ever done before, and this canyon inspired me! It provided me with new obstacles to overcome and a great learning experience. I had never really painted rocks or mountains in much detail before so figuring out how to paint that sort of texture was new territory for me. I ended up using angled brushes since they felt most comfortable for creating all the edges on the cliffs. After all that work, I can finally say that I’m now comfortable painting rocky terrain.

Another challenge I faced while working on this was figuring out how to balance the colors. My palette contained Pthalo Blue, Ultramarine Blue, Titanium White, Payne’s Gray, Burnt Umber, Burnt Sienna, Hooker’s Green Hue, Cadmium Deep Yellow, and Diox Purple. I typically work with a very limited palette of only 3 colors at a time, such as in my Mood Series, so balancing a large, vividly colorful landscape made for some great visual exercise.

I enjoy searching for colors that are hidden in the shadows because finding and using them is how to create real depth in an image. 

The most tedious part of this painting by far was the shrubs. Unlike the cliffs, which were created with swift horizontal and vertical brushstrokes, the shrubs are composed of hundreds of tiny splotches in varying shades of Hooker’s Green as well as Payne’s Gray. Once all those tiny splotches were finally in place, I dry-brushed a thin layer of deep yellow over the shrubs to brighten them up and balance them into the painting.

I am very happy with how this painting turned out and I feel that it set the bar high for the whole series. I’ve now begun working on the second landscape in this collection, a forest path in Juneau, Alaska based on a photo provided by my friend Sarah. I chose the photo for this landscape because of how small those tall trees made me feel just by looking at them and I want to capture that! Here is the underpainting:

Follow me on Instagram for more: www.instagram.com/margaret_irene_fine_art

Melancholy

I was typing the backstory to this painting on Facebook when I realized it was long enough to deserve its own blog post. So here we go…

Ever since I was a small child, I’ve loved the sound of rain. I’m a ‘pluviophile’, as they’re now called. As a little girl, I fell in love with the sound of raindrops falling on the roof and the driveway pavement outside my bedroom window. It rained heavily during the winters of my childhood in Chile, the part of my life in which I struggled with my first bouts of depression. Something about the sound of rain soothed me during those difficult times.

This painting, titled ‘Melancholy’, is based on a simple, experimental painting I did back in early 2016. The flower is a Dark Geranium. Geraniums come in different colors, all of which are associated with different meanings.

The Dark Geranium, in particular, is my favorite flower and not only because I think it’s pretty. Rather, its meaning is what draws me to it. The Dark Geranium symbolizes melancholy, a mood familiar to many creative people. Many poets throughout history have written about this mood, including Edgar Allan Poe, John Keats, and Emily Dickinson. It’s a feeling of “pensive sadness” or depression, usually without an apparent cause. Many creative people (poets, musicians, and artists) often experience melancholy in between bursts of creativity. I’m one of those people who go through that cycle, and I’ve been this way since childhood.

I was inspired to revisit the concept of this painting after recently coming out of another bout of depression. I can tell you how depression feels physically (exhaustion, loss of motivation, etc.), but explaining the mood part is difficult. I’m not a poet and can’t quite describe with words exactly how it feels so I painted it instead. I felt that if I could somehow visually capture the sound of rain and pair it with the symbolism of the Dark Geranium that it would enable me to express this dark, recurring mood that I’ve experienced all my life.

This painting sold at auction for $550.